Mike Davis aka Mike the 2600 King

Up next to hit us off with the 11 Questions feature is Mike Davis aka Mike the 2600 King. I have been a fan of Mike’s work for a few years now and wanted to reach out and let him know. If my memory serves me right i first came across artwork he was attached through when i stumbled upon a pack of dre day stickers on one of my trips to California years ago. If you’re not familiar with these stickers, you must go get them right now http://www.burlesquedesign.com/store. I have always liked his style and all the work his company Burlesque of North America http://burlesquedesign.com cranks out on a consistent basis.
Of course Mike likes to mix it up on the one’s and two’s and you can download his mix of classics from way back of everything from jazz to funk to multiple genres in between. It’s different but it’s so good. This mix is available from one of the must check daily inspirational sites Grain Edit. Grab the mix here: http://grainedit.com/2008/03/18/mike-the-2600-king-exclusive-dj-mix.
Another reason I wanted to talk to Mike is because i wanted him to take a stab at a couple of Manifest graphics. He has such a great style and i thought it would be a perfect match. He has done two graphics for us and they will be available in the upcoming Sping/ Summer 2009 collection. If you were at the agenda show this past week, you got to see the graphics up close and personal. If you weren’t there, you’ll have to wait like the rest of us. Now let’s get to the questions!
I’m one of the two owners and creative directors of Burlesque of North America, a design and screenprinting studio in Northeast Minneapolis, MN. I design concert posters, album packaging, t-shirts, and logos for primarily music-based clients. I also run First Amendment Arts, the gallery in the front room of our studio. I also DJ under the name Mike the 2600 King, spinning funk, rap, and disco all over the place. Oh and I also have a blog called So Much Pileup, dedicated to graphic design artifacts from the late 1960s through early 1980s.
3. What is your biggest inspiration and who/what inspires you today?
I’m constantly searching for images for inspiration. Traveling and seeing new cities is always important for me – it’s a great way to meet new people, see buildings, signs, stores, books, and art galleries you can’t see in your regular day-to-day routine. I take photos of signs, doorways, typography, patterns, and food packaging wherever I go, usually getting ideas for projects from those things I encounter. It’s mainly been graphic design and architecture from the 1960s through 1980s that hit me the hardest. I’ve never been able to explain why in words, but there’s something about that world of design that inspires me in a way that no other era does.
4. What have been your biggest struggles?
Separating art from design. After seeing all that cool, inspiring stuff and getting ramped up to start creating, it can be difficult to keep myself reined back to focus on specific projects. I have to remind myself that each project is about getting the client’s vision and message across and not about satisfying my personal artistic vision.
5. Sum up your style in 3 words.
Milton Glaser ripoff.
6. What’s the worst job you’ve ever had?
The aforementioned design cubicle job was pretty terrible. Aside from that, I’ve worked with some clients who have been painfully difficult to work and communicate with. If nothing else, they’ve made the rest of my time as a designer seem really enjoyable.
7. Name 3 things you can’t live without?
It’s Always Sunny in Philadelphia, Helvetica,BASS.
8. What’s the best concert you’ve ever been to? And where?
Sharon Jones and the Dap-Kings, February 2005 and September 2005 at the 400 Bar in Minneapolis, MN. Just before they completely blew up and starting selling out 3000 person theaters, I got to see them twice at this 200 person hole-in-the-wall and they absolutely smashed it. They have raised the bar for what a live band performance in the 21st century should be. They’re the closest thing our generation will ever get to seeing someone like James Brown in his prime and I’m really happy for all of their success.
9. Name your top 5 favorite hip hop albums of all time?
Run DMC “Tougher Than Leather”, Kool G Rap & DJ Polo “Road to the Riches”, N.W.A. “Straight Outta Compton”, Beastie Boys “Check Your Head”, Gangstarr – if I could combine the best songs from Step In the Arena, Daily Operation, and Hard to Earn.
10. Tell us what you’re working on next?
Digging my car out from underneath 50000 feet of snow, a poster for the Chicago-based Numero Group record label, CD and LP artwork for rapper Serengeti’s new release on anticon, mix CD artwork for DJ 7L (from 7L & Esoteric and The Bladerunners), mix CD artwork for DJ Morse Morse Code (LA via San Francisco), getting ready for Dre Day 2009 and SXSW 2009.
11. Do you have any last words for anyone who wants to do what you do?
Do what you love to do. If you’re truly genuine and passionate about it, it will show and you’ll be rewarded for it. If you’re putting out half-assed product, you’re only gonna get a half-assed return on it.
Thanks for hitting me up for some shirt designs! I’m stoked to get to work with you!

